(Painting by Sesshu)
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Pale lavender sky
Balances the moon and sun
The scale shifts to night.
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Under the dark moon
I awaited your return
Only shadows came.
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A swirl of blossoms
Caught in the water’s current
Begins the season.
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Fallen leaves crackle.
Sparrows add the treble notes.
Season’s musical.
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Dogwoods blooming
The crucifixion appears
White moths in the night.
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Fall’s crispness compels
Apples to tumble from trees.
Worms make the journey.
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The frost at morning
Makes the birds plump their feathers
Squirrels add chatter.
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These haiku are mine alone.
Lady Nyo….aka Jane
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From Basho on Poetry:
There are three elements in haikai: Its feeling can be called loneliness (sabi). This plays with refined dishes but contents itself with humble fare. Its total effect can be called elegance. This lives in figured silks and embroidered brocades but does not forget a person clad in woven straw. Its language can be called aesthetic madness. Language resides in untruth and ought to comport with truth. It is difficult to reside in truth and sport with untruth. These three elements do not exalt a humble person to heights. They put an exalted person in a low place.
The profit of haikai lies in making common speech right.
Haikai needs more homely images, such as a crow picking mud snails in a rice paddy.
In humanity, there can be something called a windswept spirit. A thin drapery torn and swept away by the stirring of the wind. Indeed, since beginning to write poetry, it (this windswept spirit…this dissatisfaction (my word) knows no other art than the art of writing poetry and therefore it hangs on to it more or less blindly.
Poetry is a fireplace in summer or a fan in winter.
How invincible is the power of poetry to reduce me (Basho) to a tattered beggar!
It is the poetic spirit called furabo that leads one to follow nature and become a friend with things of the seasons. Flowers, moon, insects, etc. For those who do not see the flower are no different from barbarians, and those who do not imagine the moon are akin to beasts. Leave barbarians and beasts behind and follow nature and return to nature.
The bones of haiku are plainness and oddness.
From: Basho on Poetry.
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Jane Kohut-Bartels
Copyrighted, 2019
Tags: aesthetic madness, Basho on Poetry....., furabo, Haikai, Japanese poetry, my early attempts, windswept spirit
July 24, 2019 at 5:15 pm
This is very helpful to those of us who are just beginning to write haikai poetry! Thank you!
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July 24, 2019 at 6:19 pm
Thank you, Roth Poetry. I’ve studied these forms for 15 years and have only scratched the surface. I believe the serious aesthetic study of Japanese Cultural issues deepen and simplify our works. thank you again. If you want any advice on some excellent books?? “Death Poems of Samurai and Monks” is excellent!!!
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July 24, 2019 at 7:39 pm
Thank you very much. I will check it out!
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July 24, 2019 at 10:26 pm
I’m going to write a short post with the examples of these dead samurai and poets….some are hysterical!
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July 24, 2019 at 10:28 pm
Great! I will look forward to it!
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July 24, 2019 at 10:28 pm
Probably in a weekor so…don’t hold your breath!
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July 24, 2019 at 10:31 pm
:>)
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