Posts Tagged ‘Australia’

‘Introduction to the Characters’, From “The Nightingale’s Song”

March 3, 2015

Samurai in Battle on Horse

Some time in late March I will publish “The Nightingale’s Song”.  Actually, Nick Nicholson and I will publish it.  Nick is travelling the US in a black Mustang convertible, having the time of his life.  Nick comes from Canberra, Australia, and in his last trip here, formatted “Pitcher of Moon” (April, 2014). 

I wrote this saga three years ago, but have added chapters to it, and some essays on the Man’yoshu, the great 8th century Japanese document of poetry that inspired so much of “Nightingale”.

It is good to have this work finished. The cover painting is done, and there are a few surprises inside in the form of graphics.  We will publish this book at Createspace, Amazon.com.

Lady Nyo

1

INTRODUCTION TO THE CHARACTERS….

 

 

In Old Japan there was an even older daimyo called Lord Mori, who lived in the shadow of Moon Mountain, far up in the Northwest of Japan.  Lord Mori ran a court that did little except keep his men (and himself) entertained with drinking, hawking and hunting.  Affairs of state were loosely examined and paperwork generally lost, misplaced under a writing table or under a pile of something more entertaining to his Lordship.  Sometimes even under the robes of a young courtesan.

Every other year the Emperor in Edo would demand all the daimyos travel to his court for a year.  A clever demand of the honorable Emperor. It kept them from each other’s throats, plundering each other’s land, and made them all accountable to Edo and the throne.  This only worked on paper for the nature of daimyos was to plunder and cut throats where they could.

Lord Mori was fortunate in having an exemption to attend the Emperor. He was awarded this exemption with pitiful letters to the court complaining of age, ill health and general infirmities.  He sent his eldest, rather stupid son to comply with the Emperor’s demands. He agreed to have this disappointing young man stay in Edo to attend the Emperor.  Probably forever.

Lord Mori, however, continued to hunt, hawk and generally enjoy life in the hinterlands.

True, his realm, his fiefdom, was tucked away in mountains hard to cross. To travel to Edo took months because of bad roads, fast rivers and mountain passages. A daimyo was expected to assemble a large entourage for this trip: vassals, brass polishers, flag carriers, outriders,  a train of horses and mules to carry all the supplies, litters for the women, litters for advisors and fortune tellers, and then of course, his samurai. His train of honor could be four thousand men or more!

But this tale isn’t about Lord Mori. It’s about one of his generals, his vassal, Lord Nyo and his wife, Lady Nyo, who was born from a branch of a powerful clan, though a clan who had lost standing at the court in Edo.

Now, just for the curious, Lord Nyo is an old samurai, scarred in battle, ugly as most warriors are, and at a loss when it comes to the refinement and elegance of life– especially poetry.  His Lady Nyo is fully half his age, a delicate and thoughtful woman, though without issue.

But Lord and Lady Nyo don’t fill these pages alone. There are other characters; priests, magical events, an old nursemaid, women of the court of Lord Mori, an ‘invisible’ suitor, birds and frogs, samurai and a particularly tricky Tengu who will stand to entertain any reader of this tale.

A full moon, as in many Japanese tales, figures in the mix. As do poetry, some ancient and some written for this tale.  War and battles, love and hate.  But this is life.  There is no getting one without the other.

The present Lady Nyo, descended from generations past.

Jane Kohut-Bartels

Copyrighted, 2015

“Autumn Poem of mid November”,

November 11, 2013

 

Sunset in a Violent Sky, copyrighted, 2007, janekohut-bartels, watercolor

Sunset in a Violent Sky, copyrighted, 2007, janekohut-bartels, watercolor

Recently I had the particular joy of having Nick Nicholson in our home for a number of days.  Nick is an old friend, or at least one of 7 plus years.  We met when we both were new writers on a particular website (ERWA) and through those hard years learned something about writing.  Nick was on holiday from Canberra, Australia.  He had spent around five weeks touring Paris, Venice, Prague, New York City, and then he came to us in Atlanta.  We didn’t get much sleep over those four days.  In part it was because we were working on a new book together.  Nick has offered to do the cover and photos (graphics, etc.) of “The Nightingale’s Song”, and I couldn’t  be happier. This is the first time in 5 books that I have had a collaborator.  It’s a different experience, and it helps that Nick is someone who is so larded with gifts.  He is a musician, painter, writer, poet and also a crack photographer.  He sent some shots of an afternoon’s work in a local park in Canberra, and just about everyone of these pictures could be used in “Nightingale”.  I was overwhelmed with the riches of his imagination and camera. Nick took back the manuscript and when his part of the work is done, it will be published from Australia.  Maybe later this winter, maybe this spring.  I’m not worried.  In Nick’s capable hands, it will be a better book than with the vision and poetry of just one.

Lady Nyo

 

 

Autumn Poem of mid November,

 

This waning Autumn season,

That bursts upon the mindscape

Through the vehicle of landscape

And mingles dazzling elements

Of color, odors, tangled undergrowth,

Where things are lost in each other

And plausible limits vanish,

And with the passage of days,

Or  a violent rainstorm—

The Earth is transformed in scarcity,

A stretching silence

Insulated by hoar frost and later snow,

Where color is corralled

Like old black and white horses

Barely moving against bitter grey of day.

 

Jane Kohut-Bartels

Copyrighted, 2013

“The Nightingale’s Song”, a short introduction to these poems….

April 24, 2013

Samurai Lovers, #2

A little over a year ago I started a series of long poems, ultimately titled “The Nightingale’s Song”. This became a collection of twelve poems, set in 17th century Japan. It was a saga of two people, a married couple named Lord and Lady Nyo.

I loved these poems. They were highly emotional, what I hoped was a ‘slice of life’ of a samurai couple of that era. Some time before, I came across the great 8th century document, “The Man’yoshu”. This was a collection of over 4500 poems of various themes, but many of them love poems. They had such an impact upon me that I still am reading various editions of these poems. While writing what was to become “The Nightingale’s Song”, it seemed these 8th century poems spoke directly to the life of my own characters, and I wrapped some of them around the behavior and emotions of these two. People who haven’t read “The Man’yoshu” have little understanding the power of these poems: they speak directly to us through the centuries, to our inner most emotions, dilemmas, concerns. Human nature doesn’t change much over time. These poems are a testament to the power of love and longing between men and women.

Very recently I suggested to a good friend, Nick Nicholson, from Canberra, Australia, that he collaborate on this new book with me. He is a wonderful writer and poet on his own, but this time Nick will be using another talent: he will be contributing photographs to this book. He will be doing much more than this and I am very grateful for the chance to work in such concrete and deeper ways with a friend of over seven years.

Even though there is a lot of work on “The Nightingale’s Song” to be done, I am posting something of a ‘prologue’ just to introduce these poems. I don’t know how many I will post on this blog in the future, but enough I hope to interest readers. I especially want to thank the readers from Japan and other Asian countries. Your support, and occasional comments, encourage the writing here.

Lady Nyo

In Old Japan there was an even older daimyo called Lord Mori who lived in the shadow of Moon Mountain, far up in the Northwest of Japan. Lord Mori ran a court that did little except keep his men (and himself) entertained with drinking, hawking and hunting. Affairs of state were loosely examined and paperwork generally lost, misplaced under a writing table or under a pile of something more entertaining to his Lordship. Sometimes even under the robes of a young courtesan.

Every other year the Emperor in Edo would demand all the daimyos in the land travel to his court for a year. This was a clever idea of the honorable Emperor. It kept the daimyos from each other’s throats, plundering each other’s land, and made them all accountable to Edo and the throne.

Lord Mori was fortunate in his exemption of having to travel the months to sit in attendance on the Emperor. He was awarded this exemption with pitiful letters to the court complaining of age, ill health and general infirmities. He however, continued to hunt, hawk and generally enjoy life in the hinterlands.

True, his realm, his fiefdom, was tucked away in the mountains that were a hardship to cross. To travel to Edo took months because of the bad roads, rivers and mountain passages. A daimyo was expected to assemble a large entourage for this trip: vassals, brass polishers, flag carriers, outriders, a train of horses and mules to carry all the supplies, litters for the women, litters for advisors, and then of course, his samurai. His train of honor could be four thousand men. He sent his rather stupid eldest son to comply with the Emperor’s wishes. He agreed to have this disappointing son stay in Edo and attend the Emperor at court. Probably forever.

But this tale isn’t about Lord Mori. It’s about one of his generals, his vassal, Lord Nyo and his wife, Lady Nyo, who was born from a branch of a powerful clan, though a branch who had lost standing at the court in Edo.

Now, just for the curious, Lord Nyo is an old samurai, scarred in battle, ugly as most warriors are, and at a loss when it comes to the refinement and elegance of life, especially poetry. His Lady Nyo is fully half his age, a delicate and thoughtful woman, though without issue.

But Lord and Lady Nyo don’t fill these pages alone: there are other characters, priests, magical events, Buddhist characters and a particularly tricky Tengu who will entertain any reader of this tale.

A full moon, as in many Japanese tales, figures in the mix. As do poetry, some historic and some bad. War and battles, love and hate. But this is like life. There is no getting one without the other.

The present Lady Nyo, descended from generations past.

Jane Kohut Mori Bartels
Copyrighted, 2013

B24s, Liberators and Childhood

May 31, 2010

B24 Bomber

This is a repost from about a year ago, but it has some resonance with Memorial Day today.  The “We” that starts off this entry was my son, who is now serving in the US Navy.

We were watching a TV program last night about the B24 Liberator, these huge,  clumsy planes coming down a runway, shaking like a dog at the water’s edge, and you are silently yelling “Get up! Get it up!” because these huge birds don’t look like they are gonna make it.  The plane bounces right towards you, and you see (or the camerman sees) the beast rumble aloft, and you see the undercarriage and you wonder what miracle allowed this to happen.

This bomber was used extensively during WWII.  It was called the “Work Horse” of the Air Force.  My father was a B24 pilot and also a sparks man….and at 22 the oldest on the plane.  I remember old photos… found in his top drawer where his metals and other stuff were kept, war mementos  we children weren’t supposed to play with, but we did, like his gyroscope.  We spent hours spinning that on polished pine floors upstairs where our mother was too busy with the day to catch us.  These photos were shot during the release of bombs, going down on some city, and how big these  bombs looked.  Huge fat sausages, but deadly ones.  The men must have been standing over the bay door, straddling the hole, taking pictures.   I remember some of the photos, the instruments, the dials the stuff on the ‘dashboard’ of the plane, and the complicated stuff that seemed to be just dials and levers, the stuff that kept this lumbersome plane in the air and delivered it’s horrific bombs.

I didn’t  know what I was looking at, although I DO remember my father, every time he got into any car he was driving.  He would run his hands over the ‘flaps’ above, the dashboard, the dials under the steering wheel, an unconscious movement like he was ‘checking the dials’ on the plane.  Even in the new black VW back in the early 60′s.

The car built by the Germans, the very same nation they were trying to defeat and stop taking over the world.  I remember there was a bit of flack about that car, but Dad bought it new anyway.  It also floated, which was good when the bridge over the causeway flooded out.

It was something we just didn’t question, Dad running his hands over the interior of the car in front of him.   It  was something so ingrained in him that there were  no questions to be asked.  At least by his three kids in the back of the car silently observing his movements.  But they never changed, until the 9 months before he died in November, 1989 when he no longer drove.

Ford, apparently, I learned last night….produced the B34 Liberator.  Actually it was Consolidated Something but later it was Ford.  They produced 1 an hour.  They needed them because they were so damn slow that 11,000 in one August were shot down over Europe. Don’t hold me to that stat because that is what I thought I heard on tv. Apparently though, 18,000 were produced from 1940-45 in a tremendous war effort.  Willow Run in Detroit was the biggest manufacturer of planes outside of Russia.

I remember some of the names I heard as a child:  “Flying Fortress”, “Flying Boxcar”,  “Flying Coffin”, but I think the “Flying Fortress” was the B29.  I could be very wrong here.   This last (“Flying Coffin”) was the most ominous.  It’s because B24′s caught fire easily, something to do with the fuel tanks being positioned somewhere bad.  There were two bomb bays apparently, and a cat walk between  the soldiers had to navigate.  I understand  the only way they could enter and exit the plane was from the rear.  That made it hard to evacuate, especially with parachutes.  They also were almost paper thin, a design nod to flight, light planes, just chunky and weird looking.  Like pelicans a bit.

I remember my father saying it wasn’t an easy plane to fly…big, clumsy, and hard to steer.  But in the air?  My father was a joker, a very quiet man, but had a great sense of humor.  He also carried his German silver French Horn aloft and I can’t think of that without thinking of my father playing his beloved Mahler and Mozart in the clouds.  Celestial music, indeed.

The B24 flew higher than most bombers, cruising at 20,000 feet.  They also had a large payload…bombs….and were bristling with machine guns on the front, sides, belly, tail.  They are strange looking birds to us now, because they were very lightly constructed, rivets all over on small plates.  The cockpit is cramped and I can’t see how they could see out of those windows.  I can’t see how you could get those planes up in the air, period.  Filled with 8,000 pounds of explosives it must have been tricky.  The wings were designed differently, a new attempt for speed.

I looked at the photos and film of the men during WWII, the crews of the B24′s and they looked so young, (and they were) but they carried a burden on their shoulders  today that is hard to understand.  There were no therapies, no real counseling units, no real understanding of what these men saw and did during war.  They had radio for the only immediacy and film footage shown in theaters before the movie.

Then, only the understanding of others who had gone through the same.  Back then they were expected to shoulder the task and buck up.  They were supposed to act and be men.  Their bodies were patched up and either they were sent back in or home, depending upon the damage.  The causalities were horrific in these planes.  Somewhere I read the percentage of returning from a mission was less than 45%.  There are hard stats to grasp.

My father was stationed in the Pacific, mostly the Philipines  and Australia.  He was a runner and held the Army record for a mile for a while.  Something like 4.11 minutes.  He ran in the outback, and there was a native Australian, named “John” who would meet him at a big rock and run with him for miles.   They never said a word to each other, speaking different languages, but John could chase birds out of the air.  My father saw him do this.  They would run back to the rock, shake hands and part.  The next day the same routine.

My father came out of WWII a pacifist.  He would not tolerate a gun around the property, and we lived in the country where pheasants, rabbits and deer were there for the taking.  I remember Uncle George, a favorite uncle, who shot a brace of rabbits on our property, hung them up by a nail by the door and my father got it from my mother.  We had come home from school, off the school bus, and saw the dead bunnies.  She found the chorus of mourners around the door, with rabbit blood dripping down the white paint to the brickwork.

Uncle George was told not to bring a gun on the property again.

My father did have a Benjamin Franklin air pistol…..something you had to pump up with a long metal thing out the snout, and he could shoot a walnut out of a crook of a tree.  That was the only gun allowed because I think it shot rivets.  Those weren’t proper bullets.

He did have a Ivanhoe Reversible Long Bow….45 lb pull.  And we learned to ‘shoot’ with that, plus the deer arrows.  My father thought it gave the wildlife a fighting chance.  But I never saw him kill anything.  He was an excellent baker, and would go out in the misty mornings, early fall and pick the blackberries in the fields, along the hedgerows, and make up three pies by 9am.  He would put them on the box freezer in the cooling room (this was a pre-Revolutionary War house, and there were many strange rooms for different purposes) and we would sneak in and eat the crusts off  the pies before he caught us.  He never really minded us because he knew about hungry children.

Many years later, when I had run back home, avoiding a first marriage,…I brought two shotguns home and a guy I grew up with, Doug Craig and I went looking for rabbits and pheasants.  I had never shot anything, but thought we would supply a country dinner.  Doug had returned from Vietnam with shrapnel in his stomach area, and Doug was a little weird BEFORE Nam.  But he was a wonderful friend,  one of the best banjo players around, and somehow lived through me trying to shoot a rabbit we spooked in the back fields.  I kept shooting at his foot, because that’s where the damn rabbit showed himself, and Doug kept hopping around.  I guess after Vietnam a girl shooting a shotgun wasn’t so terrible.  Doug did shoot the rabbit and a pheasant that day, and I did all the cleaning. We shot that pheasant on old man Staats’ property, hid it in the bushes, walked up to  Staats, asked him (which was proper) if we could hunt bird on his land, he said no, and we left.  My mother was angry, not that we had shot the bird on his property, but because his passel of boys had been poaching our land for years.

I do remember tossing the rabbit head out into the ravine between woods, and that rabbit’s head slowly rotating around in the air.   I remember it’s slightly accusatory face turning around and around. Funny what you remember.

I overcooked the (young) pheasant and stewed the rabbit.  My father said it was the first time he had tasted rabbit in 30 years.  I guess my mother wasn’t big on cleaning and cooking rabbit.

Doug and I threw the rabbit pelt up on the copper roof.  It stayed up there for a long time until my father retrieved it.

Doug died around 1991, mugged in Philly, and lay in the cooler for three weeks until his father, Dr. Craig identified him.  Dr. Craig was the big animal vet in Princeton, and a general terror to our teen years.  He was all bark and no bite, but I can still hear him and his booming Scottish voice.

Another story.

Lady Nyo

Gallipoli, 1915

May 29, 2010

This was written three years ago, coming out of  a discussion about war in general.  Monday is Memorial Day in the US.  Our only child is now in the US Navy and we pray for the safety of all soldiers, regardless of nation.

Most of us know little about World War I, and I confess to be one. There were many campaigns and the reference of “Founding Myths” relates to this two-fold:  In Turkey, it was an overthrow of the old Ottoman Empire and the establishment of the independence of Turkey as a nation.  In Australia and New Zealand, it was the first conflict that they, a part of the British Empire, were involved in WWI.

In a campaign that lasted for  nine months, the casualties were horrific on both sides:  220,000 (50%) on the British forces side, 253,000 (60%) on the Turkish alliance side.

-Lady Nyo

Gallipoli, 1915

“Are you joining up, mate?”

“Why? It’s the Brit’s war”.

“Cause Aussies are part of the empire, ‘one for all’…you know the drill”.

Both young men soon in the trenches, barely eight meters from the enemy.

“Hasim, leave off the plowing, we all go to fight the British.”

“My wheat will not be planted in time for the rains.”

“Forget the planting…leave the plowing to the women.  If you don’t go, the infidels will take your fields… Once more our country will be invaded.”

Both young men crawled into their trenches, pushing past bodies bobbing like apples in the gore.

The slaughter was horrific.  New men replaced dying men. Then, within hour, they were dead, too.

The trenches filled with blood, guts, madness – a stinking circle of Hell serving all faiths, welcoming all comers.  Plenty of seating.

The Aussie mates and the Turkish farm boys didn’t last the night.  Their bodies, shoved aside by a seemingly endless supply, sank in the mud.

These were the “Founding Myths” of nations, claimed with pride by politicians who never saw the muck up close or personally.

Beautiful Gallipoli.

Turkish soil and streams nourished by the mixed fruit of the dead.

All Mothers, your children rest in the now gentle bosom of the land. They sleep as brothers. Your tears feed the oceans forever.

Jane Kohut-Bartels,

Copyright, 2007

From Bunnies to B-24s, Guns and Childhood

July 27, 2009

We were watching a TV program last night about the B24 Liberator, these huge and clumsy planes coming down a runway, shaking like a dog at the waters edge, and you are silently yelling “Get up! Get it up!” because these huge birds don’t look like they are gonna make it.  The plane bounces right towards you, and you see (or the camerman sees) the beast rumble aloft, and you see the undercarriage and you wonder what miracle allowed this to happen.

This bomber was used extensively during WWII.  It was called the “Work Horse” of the Air Force.  My father was a B24 pilot and also a sparks man….and at 22 the oldest on the plane.  I remember old photos… found in his top drawer where his metals and other stuff were kept, war mementos  we children weren’t supposed to play with, but we did, like his gyroscope.  We spent hours spinning that on polished pine floors upstairs where our mother was too busy with the day to catch us.  These photos were shot during the release of bombs, going down on some city, and how big these  bombs looked.  Huge fat sausages, but deadly ones.  The men must have been standing over the bay door, straddling the hole, taking pictures.   I remember some of the photos, the instruments, the dials the stuff on the ‘dashboard’ of the plane, and the complicated stuff that seemed to be just dials and levers, the stuff that kept this lumbersome plane in the air and delivered it’s horrific bombs.

I didn’t  know what I was looking at, although I DO remember my father, every time he got into any car he was driving.  He would run his hands over the ‘flaps’ above, the dashboard, the dials under the steering wheel, an unconscious movement like he was ‘checking the dials’ on the plane.  Even in the new black VW back in the early 60’s.

The car built by the Germans, the very same nation they were trying to defeat and stop taking over the world.  I remember there was a bit of flack about that car, but Dad bought it new anyway.  It also floated, which was good when the bridge over the causeway flooded out.

It was something we just didn’t question, Dad running his hands over the interior of the car in front of him.   It  was something so ingrained in him that there were  no questions to be asked.  At least by his three kids in the back of the car silently observing his movements.  But they never changed, until the 9 months before he died in November, 1989 when he no longer drove.

Ford, apparently, I learned last night….produced the B34 Liberator.  Actually it was Consolidated Something but later it was Ford.  They produced 1 an hour.  They needed them because they were so damn slow that 11,000 in one August were shot down over Europe. Don’t hold me to that stat because that is what I thought I heard on tv. Apparently though, 18,000 were produced from 1940-45 in a tremendous war effort.  Willow Run in Detroit was the biggest manufacturer of planes outside of Russia.

I remember some of the names I heard as a child:  “Flying Fortress”, “Flying Boxcar”,  “Flying Coffin”, but I think the “Flying Fortress” was the B29.  I could be very wrong here.   This last (“Flying Coffin”) was the most ominous.  It’s because B24’s caught fire easily, something to do with the fuel tanks being positions somewhere bad.  There were two bomb bays apparently, and a cat walk between  the soldiers had to navigate.  I understand  the only way they could enter and exit the plane was from the rear.  That made it hard to evacuate, especially with parachutes.  They also were almost paper thin, a design nod to flight, light planes, just chunky and weird looking.  Like pelicans a bit.

I remember my father saying it wasn’t an easy plane to fly…big, clumsy, and hard to steer.  But in the air?  My father was a joker, a very quiet man, but had a great sense of humor.  He also carried his German silver French Horn aloft and I can’t think of that without thinking of my father playing his beloved Mahler and Mozart in the clouds.  Celestial music, indeed.

The B24 flew higher than most bombers, cruising at 20,000 feet.  They also had a large payload…bombs….and were bristling with machine guns on the front, sides, belly, tail.  They are strange looking birds to us now, because they were very lightly constructed, rivets all over on small plates.  The cockpit is cramped and I can’t see how they could see out of those windows.  I can’t see how you could get those planes up in the air, period.  Filled with 8,000 pounds of explosives it must have been tricky.  The wings were designed differently, a new attempt for speed.

I looked at the photos and film of the men during WWII, the crews of the B24’s and they looked so young, (and they were) but they carried a burden on their shoulders  today that is hard to understand.  There were no therapies, no real counseling units, no real understanding of what these men saw and did during war.  They had radio for the only immediacy and film footage shown in theaters before the movie.

Then, only the understanding of others who had gone through the same.  Back then they were expected to shoulder the task and buck up.  They were supposed to act and be men.  Their bodies were patched up and either they were sent back in or home, depending upon the damage.  The causalities were horrific in these planes.  Somewhere I read the percentage of returning from a mission was less than 45%.  There are hard stats to grasp.

My father was stationed in the Pacific, mostly the Philipines  and Australia.  He was a runner and held the Army record for a mile for a while.  Something like 4.11 minutes.  He ran in the outback, and there was a native Australian, named “John” who would meet him at a big rock and run with him for miles.   They never said a word to each other, speaking different languages, but John could chase birds out of the air.  My father saw him do this.  They would run back to the rock, shake hands and part.  The next day the same routine.

My father came out of WWII a pacifist.  He would not tolerate a gun around the property, and we lived in the country where pheasants, rabbits and deer were there for the taking.  I remember Uncle George, a favorite uncle, who shot a brace of rabbits on our property, hung them up by a nail by the door and my father got it from my mother.  We had come home from school, off the school bus, and saw the dead bunnies.  She found the chorus of mourners around the door, with rabbit blood dripping down the white paint to the brickwork.

Uncle George was told not to bring a gun on the property again.

My father did have a Benjamin Franklin air pistol…..something you had to pump up with a long metal thing out the snout, and he could shoot a walnut out of a crook of a tree.  That was the only gun allowed because I think it shot rivets.  Those weren’t proper bullets.

He did have a Ivanhoe Reversible Long Bow….45 lb pull.  And we learned to ‘shoot’ with that, plus the deer arrows.  My father thought it gave the wildlife a fighting chance.  But I never saw him kill anything.  He was an excellent baker, and would go out in the misty mornings, early fall and pick the blackberries in the fields, along the hedgerows, and make up three pies by 9am.  He would put them on the box freezer in the cooling room (this was a pre-Revolutionary War house, and there were many strange rooms for different purposes) and we would sneak in and eat the crusts off  the pies before he caught us.  He never really minded us because he knew about hungry children.

Many years later, when I had run back home, avoiding a first marriage,…I brought two shotguns home and a guy I grew up with, Doug Craig and I went looking for rabbits and pheasants.  I had never shot anything, but thought we would supply a country dinner.  Doug had returned from Vietnam with shrapnel in his stomach area, and Doug was a little weird BEFORE Nam.  But he was a wonderful friend,  one of the best banjo players around, and somehow lived through me trying to shoot a rabbit we spooked in the back fields.  I kept shooting at his foot, because that’s where the damn rabbit showed himself, and Doug kept hopping around.  I guess after Vietnam a girl shooting a shotgun wasn’t so terrible.  Doug did shoot the rabbit and a pheasant that day, and I did all the cleaning. We shot that pheasant on old man Staats’ property, hid it in the bushes, walked up to  Staats, asked him (which was proper) if we could hunt bird on his land, he said no, and we left.  My mother was angry, not that we had shot the bird on his property, but because his passel of boys had been poaching our land for years.

I do remember tossing the rabbit head out into the ravine between woods, and that rabbit’s head slowly rotating around in the air.   I remember it’s slightly accusatory face turning around and around. Funny what you remember.

I overcooked the (young) pheasant and stewed the rabbit.  My father said it was the first time he had tasted rabbit in 30 years.  I guess my mother wasn’t big on cleaning and cooking rabbit.

Doug and I threw the rabbit pelt up on the copper roof.  It stayed up there for a long time until my father retrieved it.

Doug died around 1991, mugged in Philly, and lay in the cooler for three weeks until his father, Dr. Craig identified him.  Dr. Craig was the big animal vet in Princeton, and a general terror to our teen years.  He was all bark and no bite, but I can still hear him and his booming Scottish voice.

Another story.

Lady Nyo