
Irish Coast, janekohut-bartels, watercolor....
We read from a number of poets how they approach their writing of poetry, though I also heard privately some interesting ideas.
There is no exclusive method for writing poetry, at least that is clear. People proceed from different ‘places’, mental processes, and it is all to the good for the development of poetry.
Something that Shashi said sparked off some additional thoughts: Shashi wrote something “about people leaving everything to write.”
That raised some issues with other writers, as I see by my email.
How much do we draw from our immediate environment in our writing? Do we need isolation from the masses to concentrate our thoughts and work? How much support and encouragement do we get or do we seek from our communities? And then again, should we seek it from these people around us? Are they the ‘stuff’ of poetry or are they the stuff and material of chaos, distraction, pettiness?
I think these are legitimate questions, queries. I know that I live in a community that is broken, or perhaps ” filled with” so many issues: there seems to be two communities here in this part of Atlanta: there is the daily hum of many issues one would find in an urban community: racial issues, prostitution, drugs, unemployment, crime, politics, opportunism of politicians, and the general living issues…going to work, family, and this big so-called ‘community’ that is really so divided by race, class, age and many other things, including drugs that are ‘acceptable’ to some because they don’t street deal. It’s ok, because it’s done amongst friends. (Drugs are a major issue in Atlanta, and now we understand that the Mexican drug cartels are very comfortable using Atlanta as a depot for further distribution.)
There is also an interesting issue of gentrification. Over the past 10 years or so, this community has seen an influx of middle class whites and some blacks move in and try to establish themselves here. Funny though, they seem afraid of their black neighbors. Not all of them, but many, including some who call themselves ministers or are self-proclaimed leaders, community mouthpieces.
Perhaps it is easier for those of us (and not many) who have been here for 30-40 years. We settle into the environment and either make our peace or we leave. Many have, or with the current economic situation, are forced from their houses. Foreclosures are no stranger to this land.
But back to the issue of poetical environment, for lack of a better term. There is a lot of chaos out there. There is an attitude that writers and poets are not doing what is oh- so- necessary right now, like running back and forth to meetings, joining community causes, etc. Perhaps there is resentment for those of us who march to a different drummer, who are deeply involved with a personal creative life that demands a big portion of our day, attention and energies.
Artists, poets, writers have always been marginalized by society. Especially by those who don’t understand or have an artistic bone in their bodies. We are expected to put aside our intense, creative abilities and become like them: living pale half-lives but demanding that we acknowledge their ‘rightness’ to lead or ‘influence’ a community.
I spent years here trying to make changes I thought or was told were necessary for ‘bettering’ the community. That was a crock of shit. I only delayed my own development as a writer and as a creative woman. We swallow or believe so much inferior stuff because it is delivered by people who are sooner or later revealed to be mundane, humdrum opportunists…with definite agendas.
And it goes deeper. Especially amongst the young white liberals that insist the rest of us who have been here many decades learn the lessons they are going to sooner or later fall upon. They want us to shut up as they reinvent the fucking wheel.
So it goes back to environment. I live in an area of Atlanta that is heavily treed. I look outside, I go outside, I wave to my neighbors of many, many years, but I take solace and inspiration in what I see of Nature around me. I look up at what I call ‘the saddle’, off in the distance, the juncture of trees that dip down and in a certain light look like mountains, and in another are infused with gold from the falling sun.
Perhaps because I am what is called a ‘nature poet’ I have every reason to pull for my poetry from my environment. But that environment must be above and beyond the chaos of humanity and those who would tell me what I must think and do. My life, and the life of other artistic, creative people here must be above the mundane that passes for ‘community’ and leadership in this area.
I don’t buy their shit for one moment. Our poetry, if we are poets, depends upon our independence and our intense, creative lives.
That is the internal environment we need to succor.
Lady Nyo
–
JULY MOON
–
A pale moon rises,
Unheralded, surprising us
With its presence so early at dusk.
–
The summer heat makes it waver
Like a ghost under water.
The cicadas hold their breath-
Their leg-fiddles muted,
And the earth turns quiet
If only for a moment.
–
Brushing the lush green tree tops
It floats upward into a still-lavender sky,
Gaining presence, strength, gleam
As it balances in the darkening light,
A well-trod path– fascinating eternity.
–
A world-weary face appears
And casts a bemused gaze downward
Before sailing through the night
Into the harbor of Dawn.
–
Jane Kohut-Bartels
Copyrighted, 2010
Like this:
Like Loading...
You must be logged in to post a comment.