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Posts Tagged ‘geisha’

“The Geisha”

June 26, 2018

Geisha

Computer really screwed up today: If I am slow (or swimming in the wrong direction) please be patient with me.  I don’t know what happened but perhaps if I go eat ice cream it will self-correct?  Dogs want some, too.  93 today. Ugh.

Toni Spencer (from d’versepoets.com and other sites) and I have been recently discussing jisei, death poems of samurai and others. At the end is a further explanation of this ritual and definitions.  Toni is an expert on Japanese poetry and culture.

Lady Nyo

–

THE GEISHA

–
Moon sits low
above solemn pines.
The night is cold.
As dawn breaks
the geisha kneels, waiting.

Plum tea kimono wraps
her tightly-
white would be right
color of mourning,
color of death.

Her lover, disgraced
has embraced
Death-
blood the sacrifice
to wipe clean a
particular stain.

She to follow
Honor fulfilled,
death follows death
rigid path of decree.

A life mostly of sorrow.

Opening her gown,
she exposes white skin,
her maid, quietly weeps
slides back the shoji
exposing a winter landscape-
white snow on rocks
white snow like her skin
soft, soon to disappear,
one to melt,
one to white ash.

Yes, life mostly of sorrow.

Outside
winter is silent,
no wind at all,
snow falling like silken petals
Ah! She will never see spring
or cherry blossom time!

Floating over muted,
glassine air
comes the sound-
two monks
playing flutes
welcome the day.
Shakuhachi artists,
mournful sound,
sound that brings
peace to an anxious heart.

 

She bows her head,
picks up the tanto-
and opens the vein.

Blood of her line
answers to that
of another.

Life.
So full of sorrow.

–

I wrote this short poem listening to Shakuhachi artists. The sound of their intertwining flutes, poignant, heartbreaking, set this poem going. The raw, alien nature of their music was transporting, bringing peace.

There are a few issues to explain. This is a ritual suicide, (for women, called jigai) not uncommon in feudal and even modern Japan. A geisha, an entertainer, could take lovers, and even become a favored member of a family. She could not get married and remain a geisha.

This geisha has decided to follow her disgraced lover into death. However, she is wearing a kimono that is not ‘proper’ for a ritual suicide. I think she does this to embarrass the officials. Perhaps it is a personal protest. The tea ceremony is imbued with its own ritual and I link these two together.

Depending on the original offense of her lover, his death and the death of part of his family would restore the honor of the family. She chose to sacrifice her life for his honor.

A tanto is a short knife. A woman would not cut her abdomen (seppuku), but would open the main vein in her neck. She would have tied together her legs at the knees, over her kimono, so she would have some modesty in death.

Jane Kohut-Bartels

Copyrighted, 2010-2018

 

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“The Geisha”, Open Link Night at dversepoets.com

October 5, 2017

 

Image result for ancient paintings of geisha

 

 

Moon sits low

above solemn pines.

The night is cold.

As dawn breaks

the geisha kneels, waiting.

 

Plum tea kimono wraps

her tightly-

white would be right

color of mourning,

color of death.

 

Her lover, disgraced

has embraced

Death-

blood the sacrifice

to wipe clean a

particular stain.

 

She to follow

Honor fulfilled,

death follows death

rigid path of decree.

 

A life mostly of sorrow.

 

Opening her gown,

she exposes white skin,

her maid, quietly weeps

slides back the shoji

exposing a winter landscape-

white snow on rocks

white snow like her skin

soft, soon to disappear,

one to melt,

one to white ash.

 

Yes, life mostly of sorrow.

 

Outside

winter is silent,

no wind at all,

snow falling like silken petals

Ah! She will never see spring

or cherry blossom time!

 

Floating over muted,

glassine air

comes the sound-

two monks

playing flutes

welcome the day.

Shakuhachi artists,

mournful sound,

sound that brings

peace to an anxious heart.

 

 

She bows her head,

picks up the tanto-

and opens the vein.

 

Blood of her line

answers to that

of another.

 

Life.

So full of sorrow.

 

—

Jane Kohut-Bartels

Copyrighted, 2015

A tanto is a short knife.  A woman would not cut her abdomen (seppuku), but would open the main vein in her neck. She would have tied together her legs at the knees, over her kimono, so she would face death with modesty.

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“Maiko”

July 1, 2016

Geisha picture 2016

Dirty-faced little girls

imitate geishas

late at night

when chores are done.

 

They practice

seductive glances,

graceful movements,

pouring tea for phantom clients.

 

Stealing a moment,

they gaze into mirrors

making geisha- faces

preening, casting

down their eyes,

trying to catch

mirrored reflections.

 

Now tender maikos,

painted lead-white faces,

sit silently,

knees padded by

layers of stiff underdress

stifling yawns

as Big Sister Geisha

pour sake

exposing

ever so slightly

a marble- smooth wrist

barely blushing with life-

Mysterious seduction!

 

Maiko,

silent chorus

behind performers,

observing the trade

studying the manners

peering out with furtive

eyes,

watching men

roll around tatami-

foolish, drunk-

such silly children!

 

Slender ‘dancing-girls’

tender split- peach hairdos

driving men to lust

a ripe and blushing fruit

sitting above the red neckline of

kimono,

a sample of fruit

to be plucked

for the right price

to okiya.

 

Solemn maiko,

follow the way of

full-blown geisha,

childhood

sold for a pittance,

desired and sought

for beauty, grace, talents,

trapped within silken layers-

beautiful butterflies,

night’s elusive moths,

dragging through life

clipped wings

of splendid colors.

—

 

Jane Kohut-Bartels

Copyrighted, 2014-2016

=(this poem first published by the author in “White Cranes of Heaven”, 2011, by Lulu.com)

 

Okiya is the house where geisha and maiko live. Oka-san is the proprietress who owns and runs the okiya. A maiko is a very young girl, who sometimes enters the okiya at the age of six. She is considered a maid, and is only trained as maiko (apprentice geisha) if she shows some talent to be a geisha. These young girls do all the chores and cleaning of the okiya. They have very long hours as they are expected to stay awake to assist the returning geisha in the early hours of the morning from the teahouses where they have been performing.

 

Many children were sold by poor parents to the okiya. This was very common in Japan for the survival of girl children. IF a geisha has a baby, and it is a boy, she must leave the okiya or give up the child. If she has a girl, that child is absorbed into the okiya as a maid.

 

 

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“A Clash of Humanity”

October 31, 2012


She walked into Big Lots, the one where her mother had thrown a shit-fit and insulted an elderly Japanese lady. Her mother was close to 90, and had done so the day before. She had flown in on her broom and stayed three days. In that time she managed to berate, insult and offend quite a number of people, local people who her daughter would perhaps see weekly. She didn’t spare the daughter either, and though the lumps were invisible, the wounds went deep.

This last assault was the worst. The Japanese lady had grabbed the sleeve of her mother’s sweater and said playfully: “Give me that pretty sweater”. Her mother raised her hackles. She turned on the woman.

“How dare you touch me,” she hissed. The Japanese lady did not back down, but backed up. She seemed to have common sense.

“I’m only playing with you. I don’t mean offense.”

Her mother’s eyebrow arched, the expression she used with ‘inferior folk’ when she, a little woman herself, tried to make others submit.

“Hah! You lost the war!” As if this made sense of everything.

Her mother’s words were ridiculous, some 65 years after the fact, but to her, a fine logic. The Japanese woman turned to her racks of clothes and her mother stormed out of the store.

The next day, her daughter made the rounds, apologizing to the employee in the food store for her mother’s insults, at another thrift shop where the mother became irate when she wasn’t immediately served, and then the scene at Big Lots. The Japanese lady was as gracious as her own mother outrageous, and she tried to laugh it off. But Leah had seen the ‘look’ before; the hurt in eyes of people who were attacked by her mother. She saw the ‘look’ since she was 15 and had been apologizing for her mother ever since. In her home town, people, total strangers to the her, would stop and ask: “What is wrong with your mother!” As if she, at 15, would know. Later, much later she would know, but at that age, her mother was a constant source of shame and embarrassment.

“Your mother. She is German?”
The daughter laughed. “Yes.” (This was a lie)
“She was the Bitch of Buchenwald.”

That was the name her family, except her husband, called her behind her back. She was that bad.

“Oh, I see”, said the Japanese lady, but of course she didn’t.

The daughter had no idea how to deal with her mother’s behavior, and it took four years of therapy to realize it was a particular nasty brand of mental illness. It wasn’t the daughter’s fault, nor did her mother’s behavior spring from what she, the daughter, did. Nor was it the fault of the grocer, the employee at the thrift store, nor the Japanese lady at Big Lots.

Four years later, Leah, now dressed in a new, hand- made kimono, obi sash and a silk parasol, had her husband drop her at Big Lots to pick up a gift. They were going to a costume party and she had picked this kimono to wear. It was peach silk, with a navy blue wide obi, with large goldfish swimming in the background. The final sash was a thin red silk rope, doubled and tied in a samurai knot in front.

She was wearing geta, and the clack- clack of the wood soles sounded like a horse on the flooring of the store. She immediately found a silver plated picture frame, a perfect gift for the queen of the party….and there was the Japanese lady.

“Oh, you look beautiful! But you dead!”

The daughter thought she was nursing the previous insult, but no, the Japanese lady was referring to the way she had ‘closed’ her kimono. Right panel over left was how people were buried….Left over right was for the living.

Maichio was her name, and she was all of 80 lbs and only 4’8”. She picked up the hem and looked at the hand stitching and marveled at the patience the daughter of the Nazi had in stitching the kimono. Tiny little stitches and a lot of them. She opened her wallet and took out two small pictures, stuck together probably from age and handling. One was of her at 21 and the other at 32. Both were taken when she was made up as Geisha.

She was so beautiful, as ethereal as an ageha, a butterfly. This wrinkled, little crone was once as classically endowed with beauty as any famous Geisha. The passage of time had taken that outward beauty but her gracious and generous heart was untouched.

Something had to be done! This stupid girl couldn’t be allowed to remain ‘dead’.

So Maichio did what any sensible Japanese woman would do. There, in Big Lots, in a store almost devoid of customers on an early Saturday evening, she undressed the girl. Off came the first belt, then the obi sash, then the inner belt and quickly she opened, and properly closed the kimono. She was wearing a lace bra and panties and they both giggled at the ‘inappropriate’ underwear.

Inappropriate for wearing a kimono.

Maichio slapped the woman’s belly good naturedly. “You get too fat to close kimono!”
She redressed her, correctly bloused the kimono so the vertebra in the neck showed (the height of sexuality in Japan) and rewrapped the obi sash.

Success! She wasn’t ‘dead’ anymore! She got a quick lesson in important Japanese words and how to bow correctly. Maichio got two kisses and the eternal gratitude from this now ‘alive’ woman. She was given quick instruction how to walk with dignity in her high geta, like a geisha perhaps, or a poor imitation of one.

Maichio demonstrated for her the ‘sexy’ figure- eight walk in high geta, the trademark of a professional Geisha. The feet are dragged at a pointed angle forward, in a looping curve, wide out from the body, but with the knees together. One slowly placed in front of the other. To do this and still stand, a Geisha would need the support of a maid, so tiny Maichio was her walking support. Back and forth, up and down the aisle they walked, throwing her feet out at Maichio’s direction. The hips roll in a very strange, sexy way and perhaps is why an experienced Geisha will use the figure-eight: It advertises what is under the kimono.

She left Maichio that evening with an overflowing heart. Maichio’s kind gestures had given her much room for thought.

Sometimes the borders between humans disappear, even when great wars are fought and there is bitterness lasting generations. There will always be victors and vanquished. The human heart is capable of great evil and greater compassion.

Maichio had come from Hiroshima, had lost her family and had been burned in the fires of 1945. From this land of death there was always life to be honored, and she would find a way, even in repairing a badly closed kimono.

Jane Kohut-Bartels
Copyrighted, 2009, 2012

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“Maiko”, from “A Seasoning of Lust”, posted for OneShotPoetryWednesdays

December 21, 2010

A Maiko, apprentice Geisha, maica.TV

Okiya is the house where geisha and maiko live.  Oka-san is the proprietress who owns and runs the okiya.  A maiko is a very young girl, who sometimes enters the okiya at the age of six or as young as three.  She is considered a maid and is only trained as maiko if she shows some talent to be a geisha when older.  These very young girls do all the work of  chores and cleaning the okiya.  They have very long hours as they are expected to stay awake to assist the geisha who return from the teahouses in the early hours of the morning.

Many children were sold to the okiya by poor parents.  This was very common for  the survival of girl children in Japan.

Today, with general education for girls, the role of maiko is disappearing, as girls have better choices for their future.  In part, the lack of maiko means the demise of geisha in Japan.  Kyoto has a different standard for the training of maiko.  Other Japanese cities have a shortened period for this important training.

The payment for the virginity of a maiko to the highest bidder is called  mizuage.  This practice was outlawed in 1959.  The money went a long way to help the maiko, now geisha, debut into her world of entertaining.

If the geisha has a baby and it is a boy, she must leave the okiya (boys, men are not allowed) or give up the baby.  If she has a girl, the baby is absorbed into the okiya and trained as a maid.

Lady Nyo

–

MAIKO

 

Dirty faced little girls

imitate geisha

late at night

when chores are done.

–

They practice

seductive glances,

graceful movements,

pouring tea for phantom clients.

Stealing a moment,

they gaze into mirrors

making geisha- faces

preening, casting

down their eyes,

trying to catch

mirrored reflections.

–

Now tender maiko,

painted lead-white face,

sit silently,

knees padded by

layers of stiff underdress

stifling yawns

as Big Sister Geisha

pour sake

exposing

ever so slightly

a marble- smooth wrist

barely blushing with life-

Mysterious seduction!

–

Shy maiko,

silent chorus

behind performers,

observing the trade,

studying the manners,

peering with furtive

eyes,

watching men

roll around tatami-

foolish, drunk-

such silly children!

–

Slender ‘dancing-girls’

tender split- peach hairdos

drive men to lust-

a ripe and blushing fruit

sits above the red neckline of

kimono,

a sample of fruit

to be plucked

for the right price

to oka-san.

–

Solemn maiko,

follow the way of

full-blown geisha,

childhood

sold for a pittance,

desired and sought

for beauty, grace, talents,

trapped within silken layers-

beautiful butterflies,

night’s elusive moths,

dragging through life

clipped wings

of splendid colors.

–

Jane Kohut-Bartels

Copyrighted, 2009, 2010


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“The Geisha”, from “A Seasoning of Lust”

July 29, 2009

THE GEISHA

Moon floats above the pines
the night is cold.
The Geisha sits on haunches
grown stiff with waiting.

She wears a
pink tea kimono
for this occasion but
white would be right
color of mourning
color of death.

Her lover disgraced
he has embraced
Death
blood the sacrifice
wipes clean a
particular stain.

She is to follow
Honor fulfilled
death follows death
rigid path of hard order
life mostly of sorrow.

Opening her gown,
exposing white skin,
her maid, quietly weeping
on command,
pulls back the shoji
a winter landscape
white snow on the rocks
white snow like her skin
soft , melting away.
Yes, life mostly of sorrow.

Outside,
winter is silent,
snow falling like petals
Ah! She will never see spring
or cherry blossoms!

Floating over muted
glassine air
comes the sound
two monks
playing flutes

Shakuhachi artists,

mournful music

bringing
peace  to her heart.

She smiles
picks up the knife
and cuts her neck.
Blood of her line
answers for honor
of another.

janekohutbartels
Copyrighted, 2008

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“Musings on a Closing Day”

December 30, 2008

MUSINGS ON A CLOSING DAY

I move my chair
to observe Mt. Fuji-
monstrous  perfection
with the cooling crust
of spring snows.

Languid movements
of branches
like a Geisha
unfurling her arm
from a silk kimono
makes petals fall,
a scented, pink snow that
covers my upturned face
with satin kisses.

Timid winds caress
my limbs,
brings soothing relief
to old and tired bones
brittle now with life’s argument
and defeat.

Raked sands of garden
waves are hardly disturbed
by feet like two gray stones.
They continue their flow
around ankles and
I realize again
I am no obstacle to
the proverbial ‘sands of time’.

My heart is quieted
by the passage of nothing
for in this nothing
is revealed life’s fullness.

Jane Kohut-Bartels
Copyrighted, 2008

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“Maiko” A companion piece to “The Geisha”

October 4, 2008

MAIKO

Dirty- faced little girls imitate geishas late in the night when their chores are done. Attempting graceful movements, they  pour tea for imaginary clients.  Stealing moments, they gaze into mirrors, preening, and cast down eyes seductively.

Years later, some are tender maikos, faces white with lead and powder. They sit silently, knees padded by stiff underdress and stifle yawns. Big sister geishas pour saki, exposing a marble-smooth wrist that barely blushes with life. Maikos are the silent chorus behind the entertainers, observing, studying the manners, peering out with furtive eyes.  They watch men roll around the mats acting foolish, getting drunk.

These giggling girls  are ‘dancing-children’ with tender split-peach hairdos, enough to drive a man to lust.  They are ripe and blushing fruit ready to be plucked for the right price to oksasan.

Now solemn maikos, they follow the ways of full-blown geisha, desired for beauty, grace and talent.   Trapped within silken layers like beautiful butterflies or night’s elusive moths, they drag clipped wings of splendid color through constricted lives.

Jane Kohut-Bartels
Copyrighted, 2008

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Poetry: “The Geisha”

October 2, 2008

THE GEISHA

Moon floats above the pines
the night is cold.
The Geisha sits on haunches
grown stiff with waiting.

She wears a
pink tea kimono
for this occasion but
white would be right
color of mourning
color of death.

Her lover disgraced
he has embraced
Death
blood the sacrifice
wipes clean a
particular stain.

She is to follow
Honor fulfilled
death follows death
rigid path of hard order
life mostly of sorrow.

Opens her gown,
exposing white skin,
her maid, quietly weeping
on command,
opens the shoshi
a winter landscape
white snow on the rocks
white snow like her skin
soft , melting away.
Yes, life mostly of sorrow.

Outside,
winter is silent,
snow falling like petals
Ah! She will never see spring
or cherry blossoms!

Floating over muted
glassine air
comes the sound
two monks
playing flutes
Shakuhachi artists,
mournful sound
sound that brings
rest to her heart.

She smiles
picks up the knife
plunges it downward,
blood of her line
answers for honor
of another.

janekohutbartels
Copyrighted, 2008

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  • Blogroll

    • "A Seasoning of Lust" Second Edition! Now on Amazon
    • "A Seasoning of Lust", erotica, poems and short stories
    • "Pitcher Of Moon", published 2014, Amazon.com
    • "Song of the Nightingale", published 2015 Amazon.com NEW BOOK!!
    • "The Zar Tales" published by Lulu.com 2010
    • "White Cranes of Heaven", ID# 10243736, listed as "White Cranes" at LULU.COM
    • Audra Simmons and Dark Side Studio
    • Kenneth Rexroth, poet and translator
    • Painting Website
    • Voice of Dance
    • William Gaius


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