I am preparing a new manuscript for possible publication this spring. It’s a collection of all the Japanese inspired flashers, poetry, tanka, haiku and some other sundry writings in this vein. It’s piling up, too much was written this year in this ‘style’ and I do have people interested in seeing it all together. That’s the good news.
The bad news is I have had to push back the publication of “A Seasoning of Lust” just because of a more careful rewrite of that manuscript. But Bill Penrose is the editor of all things good and is still the best of news. Bill inspires confidence and takes a great burden off my shoulders and on to his formidable ones.
Looks like “Seasoning” will be due (??? is this birth??) February 14, 2009 and that seems very appropriate.
I have set myself a writing schedule that forgot the big appointment in Montreal in late January. A 5 hour workshop with Audra Simmons at Dance Conmigo and a gala performance that night. I won’t be performing, but it was close. I had to decline because it meant a piece of choreography developed and that does take months. At least for me.
This workshop is an introduction, as I have written here before, to a whole new strange world for me. Trained in Turkish/Egyptian, Tribal Fusion is a riot…and definitely a discipline that is alien right now.
So, I’m posting a little poem, non tanka, just to coast by.
Some new tanka tomorrow….this is still Saturday on this side of the pond.
Lady Nyo
LOINS
You stir my loins
Like a long kitchen spoon,
Wooden
Worn smooth
With years of
Stews
Cakes
Batters
Marking
The
Bowl of it
With sexual waves
Long forgotten.
You stir my loins
Make me shiver
Make me weak
Make me cream
Make me wet
Make me lean
Over the counter
Your hands
Slipping up my thighs,
Under my apron
That piece of cloth
No barrier for modesty
Legs spread wide,
Wider,
You move
To crush me against
Marble and
The marble of my skin
Soft, smooth, cold
Heating to your lust
Telling me to
Keep stirring
Act like nothing
Is disturbing
The making
Of this cake.
You rise-
I don’t know about the batter.
Jane Kohut-Bartels
Copyrighted, 2008