Tanka, as many readers know, is an ancient form of Japanese poetry. Originally called waka, it is a predominant form in Japanese literature, along with the 17th century haiku.
Tanka is much earlier than haiku, with anthologies of tanka being produced in the 8th and 9th centuries, as in the great Man’yoshu. Basically tanka is a vehicle for emotional verse. In some cases, it’s deeply erotic, in other examples it celebrates nature, seasons, etc.
People who read tanka wonder: Why so short, and why only 31 syllables? One theory is that the rhythm possesses magical power: the poems are spells. I like that. Certainly such poems (tanka) have been used as spells, for bringing down a deity, etc. and to this day are still found embedded in the tough loam of Tantric Buddhist rites. Another practical theory is that they are formed in such a way that they can be recited in two breaths. These poems after all, are also called songs.
I am no expert, having stumbled upon tanka about 7 years ago, but I have fallen in love with the form. It is a short and powerful vehicle for poetic thought. And perhaps, after all, to compose them as ‘spells’ isn’t far from their historical mark.
I have found tanka to be a refuge. Perhaps of scoundrels, but certainly a living, breathing poetry form. I won’t go into the mechanics of tanka here, but I do have a two part essay “Short Introduction to Tanka and Classical Examples” that I was asked to present by OneShot Poetry group a few years ago. I will post that soon.
Below are some of my tanka, though I still struggle with the form. It is not to be confused with freeverse in the classical sense of tanka, but then again, poetry and these forms do evolve. Also, most tanka in Japan is written without punctuation. Most English writers of tanka are more comfortable with some punctuation. Some of my tanka have punctuation, and some don’t.
Autumn is so beautiful, even with most of the leaves gone. There is something magical in this short season that pulls at the heart. Perhaps a season of spells…..
Lady Nyo
—
The moon floats on wisps
Of clouds extending outward
Tendrils of white fire
Blanketing the universe
Gauzy ghosts of nothingness.
—
Cranes wheel in the sky
Chiding cries fall to hard earth
Warm mid winter day
A pale half moon calls the birds
To stroke her face with their wings.
—
The cat sits dozing
Beneath a thorny rosebush
No foot can reach him
His paws retract the sharp claws
A deep purr closes his eyes.
—
Give me a moment
To catch my breath and settle.
Give me some peace, please!
Stop kissing my hands, stop it!
What if someone is watching?
—-
Presence of Autumn
Burst of color radiates
From Earth-bound anchors
Sun grabs prismatic beauty
And tosses the spectrum wide!
—
Bolts of lightening flash!
The sky brightens like the day
too soon it darkens.
My eyes opened or closed see
the futility of love.
—
Had I not known life
I would have thought it all dreams
Who is to tell truth?
It comes at too sharp a price-
Better to bear flattery.
–
I look up at blue
Sky this morning, watch leaves fall-
Whirling, colored tears
Clip my face like dull razors
The strokings of memory.
–
Like the lithe bowing
Of a red maple sapling
My heart turns to you
Yearns for those nights long ago
When pale skin challenged the moon.
—
When Autumn enters
Inexplicable sadness-
Season fades to death.
Hunter’s moon sits in Heaven–
Garden spiders finish, die.
—
Autumn wind startles–
Lowered to an ominous
Key—Ah! Mournful sounds!
The fat mountain deer listen-
Add their bellowing sorrow.
–
Jane Kohut-Bartels
Copyrighted, 2014
You must be logged in to post a comment.